Withered

So now we have snow. Although it's now lighter and not pitch-black in the evening, I'm not feeling overly delighted about. I guess I might be happy about it if I didn't know that it'll be there now for the next six months. Yes, it might melt away for a while, but it'll be back, and the melting away is almost worse - although I don't love it, I don't dislike snow as such, but I do dislike slushy roads, slippery roads, icy roads and streets.  Also this means we'll be ploughing and shovelling snow for months and months. Better Half already did the first take yesterday afternoon, and today it was my turn to start. Again, it's not too bad, I actually like it, when it's not too heavy and wet and there's not too much of it, but it's the fact that you have to clear the snow, whether or not you have the time or inclination, if you are to move at all…

I'm off work for almost a week now. Might perhaps get a challenge or two done? Today I cleared one: day 60 at BL. Before I got so far, however, I did some serious pruning in my photo archives from this and last year, and got rid of about a thousand photos, and am feeling awfully accomplished. I got myself Lightroom last month, and don't regret it - it made doing away with the photos so much easier, although I'm only just beginning to learn to use the program.

Anyway, day 60 challenge at Beyond Layers was to use some scripted textures and follow another recipe by Kim. I was not overly enthusiastic about using the scripts on top of the images as such, but I thought I could do something with them if I found the right image. (Read: a photo with enough white space, not green, like most of my non-winter pictures…) So I dug up a picture of leaves that I took about a month ago when rummaging in our old house. The leaves have effectively mummified - they have been standing on the window-sill of our old abandoned house since before we moved away from there, and that was ten years ago. I did slight modification in Lightroom and then followed Kim's recipe as such, until the scripted textures. The first scripted one, Sonnet 2, I blurred at 25 px Gaussian blur, to get only the tone from it, no text. Then I added Sonnet Magic at blend mode screen but turned down the opacity to 68% and masked out most of the script. I didn't add any photo filters, although that was part of the recipe, since I found that would have taken away all depth from my photo.

Withered

Resources:
- texture Sienna, Sonnet 2 & Sonnet Magic by Kim Klassen

Now to see if there'e enough for the birds to eat, when their last feeding rush for the evening starts. They have been crowding our feeding post ever since we started feeding them almost two weeks ago, and I have a feeling I need to do a refill, although I filled everything up to the brim in the morning.

Fragile

Fun for Friday evening: tackled Beyond Layers challenge for day 59. Kim shared a recipe and three textures for us to try out. The problem (for me, at least) with these challenges is the huge amount of time it takes to decide which photo to process. Ordinarily, you'd start building with a picture. Now I'm always looking at the kind of processing done and trying to find a photo I imagine could benefit from it. I never find anything similar to Kim's examples, but somehow I always have to try to match it at least on some level.

This is the third picture I tried this particular recipe on. In the end, I of course tweaked the recipe, but at least I started with it and used the texture, called Paper-Stained Music.

Fragile, c'est son nom

Resources:
- texture Paper-Stained Music by Kim Klassen

I took the photo in May in my little makeshift "studio". I have no idea what these flowers are called, but they opened beautifully from a bell-shape to this translucent disc, after standing for about two weeks in a vase. They were the last of the bouquet to survive.

The text on the picture just plopped from somewhere, when I was staring at the beautiful fragility of the flower on my screen. "Fragile, c'est son nom" I thought, and remembered things I did'nt know I remembered - it's a song by Patrick Juvet, which I suddenly remembered, too. Must be from somewhere early 1980s - the album was called Reves Immoraux, if I remember correctly. I think we had it on a C-cassette. I love how these things pop up, although I've been listening to Baroque Arias sung Andreas Scholl and Patricia Petibon the whole evening.

Sharing at Texture Tuesday.

Painting With Light

On day 58 at Beyond Layers Kim challenged us to watch another video lesson and either try the technique on a photo by her or on our own image, and of course I went for a photo of my own. The topic of the video was how to use light to draw focus on a subject.

With the dogs snoring around me this Saturday morning, I picked up a photo and started to process, following Kim's suggestions. This time I took a photo of Da Man about a month ago. He was sitting and watching by the back porch, with a dried yarrow funnily framing his face. Again, Kim's picture and mine were so different that I didn't create the effect she did for hers, but I do like what I got out of this picture with the recipe.

Dog and Yarrow

Photo taken on 7 September, 2013.

Resources:
- texture Heartfelt by Kim Klassen

Sharing at Texture Tuesday.

Quote Challenge revisited

After a good while, I decided I'd play along the quote challenge from Beyond Layers day 39 anyway. I had already had a look at some quotes, so I went back and did some digging for photos. Seeing the results, I'm happy I did.

First Tulips

A picture of the first tulips pushing up, taken on 2 May 2013. Thought the quote was pretty apt for the image. The prompt word was "life".

Resources:
- font KG Ways To Say Goodbye by Kimberly Geswein

Sleepers

The quote challenge word was "peace". This made me think of our latest little puppies when they were little puppies, in this picture less than a month old.

Resources:
- textures from Shadowhouse October Square Texture Set 2 by Jerry Jones
- font Learning Curve Pro by Blue Vinyl Fonts

Foxy - Indian Summer

On reading the prompt word "change" I knew immediately what my quote would be: Dorothy Parker's poem Indian Summer. Ever since I first read it I've loved the poem. And I roughly knew what I wanted to do with the images, too - originally I associate the poem with our second-ever Dandie, Veera, whom we called Madame, because she was very dignified, self-assured and definitely not one to fool with. She was a businesslike, no-nonsense personality, but charming. However, since she left us years before the age of digital cameras and even the scans I have of her are not of very high quality, the dog in the photos is our present Madame, called Foxy. Totally different, with a lot more sense of humour (yes, Dandies come equipped with that), but certainly a lady who knows what she wants, who turned nine this week. In the last picture, by the way, she is not growling but actually smiling.

Resources:
- template 018 by myself
- background papers from paper pack Green Finch and Linnet Bird by myself
- font Lavanderia by James T. Edmondson

By The Frozen River

The fourth prompt was "intentions" and for this, the Douglas Adams quote was my absolute favourite. It's so true for me in so many ways. The picture shows my home town since 1987, where I definitely didn't plan to move. When I first went to study, I somehow thought I'd end up in the south, Helsinki or thereabouts. And here I am, 600 kilometres north, and have been happy here for more than a quarter of a century. Oh my. I took the picture on a walk in the centre on 1 May this year. Yes, it was pretty cold.

Jackdaws

The last prompt was "focus". I like the quote, and the photo is one of a series I managed to take on 8 June of a gang of Jackdaws, who landed on the grass and  were a bit shy of me, obviously thinking the treat on the ground might belong to me. They circled around, trying to appear nonchalant and uninterested, until one of them started the approach. Unfortunately none of the photos I took of the actual attack turned out any good but well, that's life, right?

Type Tricks

Another Beyond Layers post. On day 56 at BL Kim offered us a couple of new tricks, how to type text on a path and how to create a rounded rectangular frame. With the latter technique I've been working for years already, so I just played with the type.

For this is used a photo taken at the barbershop singing course me and three of my vocal group friends attended at the beginning if June. It was taken by our new friend Reija during our extra, ladies-only evening rehearsal.

How We Sang

- texture Musiclovin by Kim Klassen
- texture Savor by Kim Klassen
- font Tipbrush Script by Måns Grebäck
- font KG This Is Not Goodbye by Kimberly Geswein

This afternoon, in fact, we had a first meeting of our new barbershop quartet, consisting of the oldest singers in our vocal ensemble. New, because we have never actually sung four-part harmony just the four of us together, and I have certainly not been singing the tenor part. We cleared half the piece we were rehearsing, dwelled on some of the chords over and over again just because they sounded sooo sweet, and concluded happily that we most definitely have learned something in the dozen or so years we have been singing together. Which is nice to notice.

More fences

The challenge of day 53 at BL was to watch a video lesson and try it on an image by Kim. I didn't see much point in simply copying what she had done, so I went straight to the second part, testing the recipe and techniques on an image of my own. It wasn't actually a spoken part of the challenge, but the underlying idea seemed to be fences, so I decided to try the techniques on a fence image.

First I found a fence picture related to my previous post about our re-fenced yard last autumn. It's a photo of the fence on the northern side of our yard after some snowfall last December. Tried Kim's techniques here, but not the recipe, since warming up a snowy picture didn't feel like a good idea.

Snowy Fence

Resources:
- framing action Simple by Chain

So I had to dig into the archives again, but after a while I found exactly what I needed: a photo of a fence around a church in Lübeck, photographed in May 2012. The dark fence against the red brick of the church was well suited for the warming and reddening Kim did in her recipe, so I used Kim's recipe almost as such, with minor adjustments, and followed the techniques as well.

Fence in Lübeck

Resources:
- texture Pumpkin Grunge by Kim Klassen

- framing action Simple by Chain

And on to posting the next challenge. I'm determined to get all this stuff posted so I can start working on something new.

Remembering

Got to day 51 at BL. Wow, I'm almost half-way through a course that actually finished five months ago. Go me.

This time the challenge was to use two of Kim's textures, Thursday and Yesteryear, and follow the recipe she gave on any image.

As the day I processed these photos marked the fourth anniversary of my father's death, I chose something that made me think of him as my first image. I took the photo when I was staying at father's flat after his death, helping my sister to clear it up. The flat never was a home to me, and only a few years to my father, but the objects there are soo familiar. I remember what meticulous care father took of the little flat, dusting and hoovering and tidying up and watering plants and washing each cup straight after use, and I remember teaching him to use the washing machine after mother died two years previously. There is the sofa and armchairs that used to belong to my grandmother and that father had reupholstered for her sometime in the seventies. There's the painting of the waterfall in our town - like all paintings in my parents' house, it was painted by an acquaintance. The painter was the boyfriend of our that time lodger, and I used to sit in their room and watch him paint and we'd talk about art. Father was very fond of the painting, me much less, but it was an essential part of the living room even in the old house. Here I followed Kim's recipe rather closely.

My Father's Living Room

Resources:
- textures Thursday & Yesteryear by Kim Klassen
- photo frame by Rita @ The Coffee Shop Blog
- background paper Close to Ground 05 by myself

The second photo I tried the recipe on was chosen for similar reasons. It is a shot from my parents' summer cottage window, our second home in my childhood. It belongs to my sister now, and I was visiting the cottage quite probably for the last time in 2010. The July evening was like countless others I've spent there, except for the fact that I've never before been there all alone, not even waiting for anybody to arrive. The view is not what I would have seen as a child - the trees have grown, others have been cut down, the garden swing is a newer one. But the sauna and setting sun and lake are the same, as is the old bathtub grandmother started using as a flowerbed and the whole feel of the place.

Remembering Childhood Summers

Resources:
- textures Thursday & Yesteryear by Kim Klassen
- framing action Simple px by Chain

I decided to try the recipe on a third photo as well. This is a recent one, I took it at the end of August when we were on our usual walk route with the dogs. I mainly wanted to see what the recipe would do to the blue sky of the original. Not bad. The feel is very much the same as in the previous image, although the originals differ quite a lot.

Path to River

Resources:
- textures Thursday & Yesteryear by Kim Klassen
- framing action Simple px by Chain

A Tall Order

For day 50 at Beyond Layers we were asked to show where we live, and shoot landscapes in portrait format. I often do that, and originally I thought I'd pick something from the archives again.

But I didn't. For this challenge I actually didn't delve into my archives but instead took some time to go for a little walk to get some images of where I live. Not of the garden, not the doggies, but some shots on the riverside in the town centre.

As the opportunity more or less offered itself, I took it, and feel so good about it. About a month ago, I went to buy meat for the dogs from the truck the stops here every four weeks, and it was such a beautiful August evening. So instead of rushing home with the boxes of frozen meat in the boot of my car I took a few steps towards the river and took the first photos.

Riverside from Market Place

Process:
- ran action CoffeeShop 2020 by Rita @ The Coffee Shop Blog
- lowered layer opacity to 80% and masked out from the bottom
- applied texture Havana by Kim Klassen
- inverted texture colour and changed blend mode to 60% Color Dodge
- ran framing action Shadow by Chain

Then I grew even bolder - I drove a bit further along the riverside, parked the car for about ten minutes and walked to a park to take some photos towards the centre. I "wasted" perhaps a full fifteen minutes there, but it felt like a huge achievement. Which in a way it was, because I had taken a step out of my oh so well set ways.

Riverside Sunset

Process:
- straightened image in ACR
- corrected white balance in ACR
- ran action Fresh & Colourful by The Pioneer Woman
- ran framing action Shadow by Chain

Kim's Lilacs and our Dog

I'm posting days 44 and 45 of Beyond Layers here. In the day 44 challenge I was to process a photo by Kim to my liking. It was a pretty bunch of lilacs, and Kim seemed to have desaturated and toned down the original. I took another way and added more contrast and sharpness. This seems to be my way: adding clarity where I can, using bright colours. With a few exceptions, I don't seem to be too good at creating dreaminess or toning down - perhaps it just isn't my thing.

Here are both of the images side by side.

Here's the steps I took:
1 added texture 294 by Sirius-sdz
2 blurred the texture: Gaussian Blur 8 px
3 changed blending mode to soft light 100%
4 ran action Fresh & Colourful by The Pioneer Woman
5 changed action group opacity to 34%
6 added texture Now by Kim Klassen at Colour Burn 76%
7 added frame
8 resized image

Next I'll be off to see Kim's recipe to how she processed her own photo, I guess.

******

As I anticipated, on day 45 Kim shared how she processed her lilac image herself. But I have to say, I was astonished to realize she was sharing with us a technique I had just used in my own processing of her image! I swear I didn't have a peek at the video beforehand, just ended up using Gaussian blur on the texture on my own.

Anyway I decided to have another go according to Kim's suggestions. I picked up a photo taken of our youngest Dandie Justiina, taken on 29 May this year, when she was a bit over a year and a half. She's like many Dandies we've had in that she'll often stare right at you and the camera when you're taking a picture. Often, that is. Usually not when you'd absolutely want her to.

Here I kept the added noise Kim suggested at a minimum, added Gaussian blur to the first texture so that it only gave me the lighting and none of the actual texture, then added another texture for a painterly effect.

Resources used:
- texture Cool Grunge by Kim Klassen at soft light 100%
- texture Paint on Canvas II by Kerstin Franck at overlay 77%
- framing action Double by Chain

What I didn't do here was adding type and then adding gradient to the text, that'll have to wait for some other time, perhaps when I do some scrapbooking?

Flowers and Bugs

Still playing catch up. Day 43 challenge of Beyond Layers was to view two of Kim's recipes and use Kim's texture Peony in a photo. For the first task, I chose a picture that I took of one of the last tulips to blossom this summer in our garden. They were still in bloom on 19 June when I took this photo.  Here I followed Kim's first recipe very closely, the biggest difference was that I used layer masks to keep the background suitably desaturated and not too dark or too light  or contrasty. I even used the same font Kim used for her original photo of her book spine poetry, since I found it was one with European characters and therefore worth downloading to me.

Last of the Tulips

Resources used:
- font KG Somebody That I Used To Know by Kimberly Geswein
- framing action Shadow by Chain

The next photo was taken on a warm day in our garden, when me and Better Half were doing some gardening, and suddenly noticed this pair of very spectacular looking bugs mating on the blossoms of a Meadowsweet bush. They were obviously some kind of long-horned beetles (which in Finnish seems to be, delightfully, sarvijäärä or even more hilariously, hapsenkakkiainen). Anyway, they obligingly stayed there long enough for me to rush for the camera and I even managed to get a few quite tolerable shots of them.  To process, I followed Kim's second recipe, this time with a lot more deviation from hers, though.

Mating on Meadowsweet

Resources:
- texture Framed by Kim Klassen
- framing action Double by Chain

The third challenge was to use Kim's pink texture called Peony. Since it was pink, I thought I'd dig up one of the photos I took in April of all the bouquets me and Better Half received at the end of the term. For this I had a brainwave: instead of going through all adjustments step by step I could try what the adjustments of the previous photo would do to this. So I duplicated the adjustment group of Mating on Meadowsweet, found it looked just fine, I just turned down the opacity another 10% and that was it. This made me a very happy camper indeed. So I just placed the texture there, added the frame and was pleased with the result.

Pink Bouquet

The workflow:
- duplicated adjustment group from Mating on Meadowsweet, turned down group opacity to 70%
- added texture Peony by Kim Klassen at multiply 33%
- flattened image
- added frame: framing action Double by Chain

Linking to Texture Tuesday.

This & That

Day 41 of Beyond Layers offered two challenges that I totally enjoyed doing. Again, where I started from was not at all what Kim did, and I didn't want to create dreaminess, but used her recipe to add crispness and clarity to the photo. Here Misaki is standing at the front door, staring at me wide-eyed like she often does, asking me if I really mean what I'm telling her. So herself here, that's what she's like with her large nose and big dark eyes under the topknot.

Serious?

Here's what I did to this image:
1 duplicated bg layer
2 added gradient map Pinkish by Kim Klassen, at soft light 100%
3 added a b&w gradient map at normal 30%
4 created text layer, font Shardee by Bright Ideas, applied stroke, turned fill to 19%
5 duplicated text layer, deleted stroke, turned fill back to 100%, set the text slightly off
6 flattened image & resized it for web
7 added frame: framing action Glass by Chain

The second image was an exercise in enlargening the canvas and using gradient fill. The photo is a detail of my belated birthday bouquet that I received last autumn. Since I was quite happy with the photo itself, I didn't do any processing to the actual photo, only enlarged the canvas, created and used a gradient fill and added the text. Can you tell warm orange is my favourite colour? Then I decided I'd like it better with a frame, so I made one using an action by WallStorm.

Editing steps:
1 used crop tool to make image canvas wider than original
2 created gradient fill (my own, warm orange)
3 added text layer with font La Belle Aurore by Kimberly Geswein, blending mode Vivid Light 64%
4 flattened image & resized it
5 added frame: framing action White Frame V4 from Photographer's Toolkit 2 by WallStorm

I'm very happy with both results here. Feels good to be achieving something satisfying with my pictures. And with two of my favourite photography subjects, too - dogs and flowers.

Off stage

After a month on stage, I get back to the blog. First, there was our vocal ensemble concert & sing-along event, then in a few days, the Oriental Dance show where I was not dancing like my friends but acted as the hostess,  then a couple of weeks after that, my basic level vocal recital at the music school.

Now this is day 37 -- since the original course of Beyond Layers expired without my having time to finish it, I took on the challenge of Beyond Beyond with the access to the original BL, too. But here's a snag: MY course, BL2, was not available, so I had to take BL1. Mostly the same, but still a bit different, so I find myself going back to day 37 again. Oh well.

Anyway, here Kim gave a challenge of placing a photo inside bulky text. I had a look at this technique about a month ago, just before the concert our vocal ensemble gave this spring, so I made an "ad" of the concert for fb with the technique. I am rather pleased with the result. The picture is from our concert in 2011, and at the moment we were singing California Dreamin - which I thought was rather apt, since Kim's tutorial had California in it, too.

Vocal Ensemble Nais-Girls on stage

The original image was a video capture, awfully dark, so I processed it as follows:
- Levels adjustment preset Lighten Shadows
- Curves adjustment to cut down the yellows
- added my own texture Mute Light 01 at Screen 72%

Then I created a new document, following the tutorial, but added another layer of the same font with the words "on stage", at 66% Hard Light. That way I could display a bit more of the original picture.

Resources:
- my own textures Mute Light 01 & Mute Light 02
- font Gill Sans Ultra Bold
- font Respective by Måns Grebäck

Into the Light

Here I'm posting a couple of images I worked with for day 36 at Beyond Layers. By now the ecourse is finished, except that I got myself extra time to get through all of this. I really want to finish the course, even though there are still almost 70 challenges waiting. But the way to tackle them is, naturally, one by one.

The challenge this time was to shoot into the light. When I originally took up the challenge, it was December, and shooting into the light was rather impossible, with so little light available at any time. Anyway, I managed to get  this shot of a dried-up cow parsley with snow flakes clinging to it. Then I started to follow Kim's tutorial, but had to deviate quite a lot, since my image was so different from hers.

Into the Light

Resources:
- texture 3112 by Kim Klassen, masked with a sunburst brush by Rita @ The Coffee Shop Blog

Then I decided I needed an image that was at least somehow related to the whiteness of Kim's image and took a close-up of this white poinsettia we had received for Christmas. Here I managed to use both the tutorial and the textures provided so that they actually improved the original. I cut out the numbers from the overlay, though, since I didn't like them at all. But I'm really pleased with how this one turned out.

White Poinsettia

Resources:
- overlay 123 by Kim Klassen
- texture Softly by Kim Klassen

Is it really any wonder it takes me so much time to get through these challenges, when I have to do at least two takes on everything? But then, if that's my way to learn, so be it.

Ice-Cream, Snow & Flowers

This is me all over. Here I'm trying to catch up with the Beyond Layers course, and yet I find myself watching the video Kim presented and trying the techniques not once, no, but three times. Really, am I so hopeless at making a quick work of something? But then, I'm supposed to be learning from this, and as we all know, repetitio mater studiorum est! Furthermore, I did what Kim suggested and tweaked her recipe for each image, discarding some layers and modifying others.

So, here are my takes for the day 34 challenge A Few Tips & Tricks to Try. The challenge included the use of the texture Chase and the use of a recipe Kim presented to us on video.

The first picture was taken on 9 May, 2010 at Keukenhof, Amsterdam. The flower is incredible, a tulip called Ice-Cream, with a good reason.

Tulip Ice-Cream

Resources used:
- texture Chase by Kim Klassen

I did the processing on this a month ago, and followed the recipe too faithfully - and it was my dissatisfaction with this that actually lead me to try another take. But I was clever and instead of tweaking the same image over again I let it be and took another photo to process.

The second photo was shot far more recently, on 5 December, 2012, and the Bohemian Knotweed (Fallopia x bohemica) in the picture is located right outside the fence of our yard. About the plant itself -- for the longest time we've been wondering whether the Knotweed in question is actually a Giant Knotweed (jättitatar in Finnish) or a Japanese Knotweed (japanintatar). Yesterday I googled the case once more and found out that it might actually be a cross between the two! In English, Bohemian Knotweed sounds quite nice and sensible, but the Finnish name, hörtsätatar, makes me giggle. It sounds funny and means nothing at all, suggesting something sort of tousled or dishevelled… well, I guess that suits the plant.

Laden with Snow

Here I went through the recipe but tweaked each layer, and finally ended up NOT using the texture that was part of the challenge. So, although this time I was happy with the result, I had to try again with an image where I'd be happy using Kim's texture.

Orange Gerbera

This is another photo of the session with my belated birthday bouquet. Followed the recipe, not cloning anything in or out, but started with high pass, then used the Gaussian blur but only a touch in the corners, lightened the image with levels adjustment, then darkened the blurred areas with just a tad of black to white gradient, used two colour fill layers, screen and multiply, but only around 10% each, and finally added Kim's texture Chase at 73% colour burn, but masked it out of the Gerbera. The change from the original is rather subtle, but pleases me.

Back to the real world -- doggies demand to get out. Better go and see if the birds still have something to eat. In the morning there were seeds enough at all the feeding posts, and since I had to chop firewood and carry it inside, I didn't take the trouble of adding any. Now off to take care of both the winged and the four-legged.

A Book Review, of sorts

For day 32 of Beyond Layers, the challenge was to pick a favourite book, photograph it, get creative with the set up and process the image however we pleased, and also tell why I love this book.

This was some challenge, since I've read shamefully little in the past quite a few years. Of course I use books for work, a pile of them. Didn't feel like photographing them, though, and after some consideration, I picked the one not-work-related book that I use regularly. Also I happen to like the look of this book. Since it's the song book for my singing lessons, I very much doubt this "review" is useful to anyone but me, though.

Back in 2008, when the book was published, I first bought the middle-range version, but later on, as my vocal range has grown, I have also bought the same book for high voice. This is the version in the picture, and yes, I chose to photograph it because the cover here is my favourite colour orange (or thereabouts) instead of the blue one in the older book. It's not the only sheet music collection I sing from, but definitely the most used one, alongside the Vaccai vocalises. There are 109 songs, ranging in time from Renaissance to 20th century, in five languages (English, Italian, German, Swedish and Finnish). At the time the photo was taken, 29 October 2012, I had studied 31 of them with my singing teacher.

Cantus

Resources used:
- texture Fully by Kim Klassen (35% soft light)
- texture Put Me Down Boogie by Smoko-Stock (35% vivid light, masked corners)

Living Fully or Frantically

Having been awfully busy all autumn, it was not without certain bitterness that I read Kim's post for day 31 of Beyond Layers. Not daring to even open the posts lest I'll be swept to playing with the challenges when I really should be doing something else, I was not delighted to find a challenge about slowing down.

However, I guess I have come to realize that busy really doesn't matter. Sometimes there's nothing else to do but to rush along, but it's not as if I wouldn't enjoy it. Oh yes, I have been whining about not having enough time, but right now, this very moment, I'm overjoyed to really have had holiday time to beautifully unwind, spend time at home, do little or a lot or nothing at all and -- be there. Together with Better Half and the doggies. Feel.

For the photo challenge, here's my take. Since the past autumn's particular busy has mostly been at work, this picture's fittingly been taken at my work place.

Stairs

Resources used:
- texture Tears of Hope by Smoko-Stock (70% Soft Light)
- texture Be Still by Kim Klassen  (40% Multiply)

Snow, Birthday & Tricks

We woke up this morning to see the first snow, and it seems it's not going to go away either. Not really surprising in the sense that it's been frosty all the weekend, but still. It's cloudy now, the temperature is at zero °C, and the weather forecasts for the rest of the week promise even colder weather, with daytime temperatures around -4°. It's about time we had the winter tyres changed for my car today, Better Half has had them for a week already. Wouldn't really have wanted the winter to start already, there would have been work to do on our yard, if not exactly in the garden anymore. But luckily we were so hard-working a week ago and prepared most of the garden for winter, and it was only on Saturday that we raked the last leaves.

Our kids Justiina and Marleena turn one year today. Happiest birthday, girls! I guess they enjoy the weather - when they first got out of doors, there was plenty enough of snow around, and they had months of it before they even saw the first glimpses of bare soil, let alone grass. Anyway, they certainly have changed from what they were a year ago. Here's one of the first pictures of the girls: Nuppu, Marleena and Justiina having a meal a year ago.

Credits:
- template by myself (link upcoming)
- texture Sweet Tart by Kim Klassen
- papers from kit Pour Loane by Margote
- font Daniel by Daniel Midgley
- font Channel by Måns Grebäck

But to get to the original topic of this post, on day 30 of Beyond Layers Kim shared a few tips with us. The first one of them was how to create animated gifs. Now I have to state that I'm not a great friend of animated gifs in general. I think there are far too many of them blinking around the net. Sometime ages ago I had also created quite a few of them, so I wasn't too enthusiastic about it to start with. But Kim's got this wonderful way of throwing in something new that you'd never known or realized. Since Better Half uses Photoshop at work and especially when making all the various club magazines in the so-called free time, I've also been using it for years, starting even before we bought Elements 2, but I'm constantly learning new things.  That's exactly how it was this time, too. Watching the video, I was suddenly inspired to dig these two series of photos I took of Misaki and Foxy in March 2011 and make animations of each.

Here's Misaki, placed firmly on snow and observing the road, making her presence known to anybody who happens to be within earshot by howling regularly.

This turned out to be quite funny. As if she climbed up from a hole or something, Foxy appears out of nothing behind Misaki, walks around her, goes down to the path, shakes herself and disappears again.

Credits for both:
- font Mawns' handwriting by Måns Grebäck

The second tip of the day was creating a triptych, which, simple as it was, again taught me two new, quicker techniques for creating storybook layouts. Had to try out both of them, and the beautiful bouquet I got a few months late for my 50th birthday from the trade union was the perfect subject. Well knowing my favourite colour, my workmate had ordered the bouquet only stating "make it orange". Well, orange it really was, and I just loved it. I took the photos on 15 October, and didn't retouch them in any way, only piled them together and added the labels and text.

Belated Birthday Bouquet

Autumn Bouquet

Credits for both:
- brush from Kinetic Splatter Brush Set by Dustin Schmieding
- font Mawns' handwriting by Måns Grebäck

Now off to take the car to the garage and buy some birthday presents for the girls.

Being Brave

Diving into Beyond Layers again. For day 29 the theme was Being Brave. Firstly, Kim challenged us to remember / write down a brave moment in our lives. Don't know about big and brave things, but thinking about this made some little things surface.

This is such a silly and clichéd thing to be telling about, but oh well. It was my first ever performance on a real stage alone, and it was a big thing for me.

I've always been singing, sung in all the small gatherings my Mum and Granny took me and Sis to, and thought nothing of it. I had also been performing with the school choir, but then one day when I was thirteen I think, my music teacher asked if I'd do a solo performance in the morning assembly. Now the morning assembly was a big thing in our school. All of the 700+ pupils and all the staff gathered together at the beginning of each school day to the central hall of the school, and there'd usually be the headmaster or one of the teachers speaking, a current issue we needed to know, or a "thought for the day", something inspirational. It was here that I was to sing, all alone, accompanied by my music teacher on piano.

Rehearsing had been so much fun, but when the particular morning came, it was such a huge thing to face. To go there, stand all alone next to the grand piano, my only support sitting behind the huge black thing. To stand there in front of all my classmates and the older kids and teachers… My, was I nervous. So nervous in fact that when the teacher played the short intro I was for a while at a total and complete loss for the words. They were in Swedish, too, which naturally didn't make remembering them any easier, since I hadn't been studying the language for that long. It took only a couple of seconds, however, before I caught up with them, and then I remembered all the verses without a problem, but those certainly were among the longest seconds of my life. But I survived, and the elation I felt afterwards has undoubtedly kept me going to the stage afterwards. Yes, I do love performing.

There have been other moments I consider perhaps "brave". Travelling to England at nineteen on train through Sweden, Denmark, Germany and the Netherlands, especially parting with my friends in London to go to a strange place to stay with people I'd only exchanged a couple of letters with, not knowing if they'd even be at the station to meet me or not (no mobile phones had even been thought of in those days…). Some years later, telling Mum about me and Better Half. Facing my fear of dogs, created by our Dachsie who turned unpredictable and aggressive, and taking a new puppy. (Suddenly shuddered to think, what if I hadn't… well, I certainly wouldn't be me now, with six Dandies snoring around the house while I type.) Then some of the unavoidable kind: five years ago, saying good-bye to Mum when she was in terminal care, knowing I'd probably never see her again. Supporting Dad through the worst times after, teaching him to cope. A couple of years later, travelling south to support and help Sis after Dad passed away. But these are things one does because one must.

The second part of Kim's challenge was to make a list of Five Photography Dreams. Don't know if I have any - wait, at least some, though I'm not sure how brave and bold they are.
I'd like to learn to
- take better photos of the dogs
- take nice photos indoors and in low light
- shoot more in manual mode
- develop my eye for composition
- select and keep only the best photos I take

Then to the third part of the challenge, creating a picture that somehow depicts "brave". My take is from spring 2010.

Early Bird

This Wood Pigeon arrived up here in mid-April, when there still was plenty of snow and precious little for him to feed on. It's not always a good thing to be the early bird! But he - and a few days later on another, she perhaps - found our feeding post. For a couple of weeks perhaps they visited us, and we did hear them cooing in the summer in the woods next to our house, so to our great delight they did survive.

Resources used:
- overlay mask MO8-2012-1 from Assorted Mask Overlays by Jerry Jones
- texture Cool Grunge by Kim Klassen
- texture Softly by RH West

One Photo in Three Ways

At Beyond Layers, the day 28 challenge was to take a photo and process it in three different ways. For the photo, I took another stroll in the garden. This time, on the 9th October, there were considerably less flowers to photograph than a month ago, but surprisingly many anyway. I rather liked the picture I shot of the Narrow-leaved Meadowsweet (Spiraea alba) with all the raindrops, and so it ended as my subject for this challenge.

Hardly surprisingly, I made a scrapbooking layout of all the versions. The one in the bottom right corner is where I started from. The template is my own, I'll post the link once I get it uploaded, and both the papers are from my set Cold Spell.

Meadowsweet in Three Versions

Here are the resources and recipes. I used a couple of the techniques Kim showed us on her video, but not all of them.

Bottom left:
- Hue/Saturation layer, preset Old Style
- texture Framed by Kim Klassen at Colour Burn 18%, brushed away from blossoms with a layer mask
- texture Fall Returns by Distressed Jewell at Soft Light 46%, brushed away from blossoms with a layer mask
- levels adjustment, preset Midtones Darker, applied to previous layer
- returned a touch of colour to the blossoms by adding a burn layer at Soft Light 38%

Top left:
- action Heartland by Pioneer Woman
- added a tad of colour with a layer mask
- action Boost by Pioneer Woman, applied mostly to the blossoms
- action Soft & Faded by Pioneer Woman at 20%
- texture Abstract by Kim Klassen at Soft Light 25%

Top right:
- action B&W Beauty by Pioneer Woman
- added just a hint of colour with a layer mask
- texture Cool Grunge by Kim Klassen at Soft Light 25%
- texture Frost from Heavenly Vintage Set by Jerry Jones at Soft Light 85%
- texture Baby Blue from Heavenly Vintage Set by Jerry Jones at Colour Burn 25% on the blossoms

Originally I thought it would be rather tough to create three different versions, but actually it wasn't. What's even more surprising, I find that I'm rather pleased with all of the versions, as well as the scrapbooking layout. And yay, with this I can move week 14 of BL into the folder Done!

You First?

It seems that my backlog at Beyond Layers just keeps growing, at the moment I'm a whopping twenty-three days behind. Furthermore, the challenge for day 27 was to take some "me time" and document it with at least one photo. That made me groan - for me it just happens that these challenges are the time I've reserved only for myself, but arranging the time is not so simple.

Well, photography and singing fall into the "placing myself first" category, too, but since my photography is taking snapshots it takes next to no time, just having the camera along. And as I take singing lessons and sing in an ensemble, that time is necessarily scheduled, which means that this photo-tweaking hobby of mine and blogging get their turn only when work and other hobbies leave me enough time.

So far that time has been gloriously lacking this autumn, as work turned out to be far busier than I thought. At the moment I have nine hours more to teach a week than originally planned, which equals about eighteen hours less free time every week… We've also been busy with dog shows, both visiting some, arranging some, working in some, so it's really no wonder I've had little time for photo blogging.

But yes, I did actually manage to snatch some time for photography. It might not sound like a big deal, but since it was the first half an hour I didn't need to use for preparing lessons or doing the related office work, it actually was a big deal. On 11 September I took this stroll in the garden with the doggies and the shiny new camera, which had been in my possession for four days then. I'll share some storyboards of the new camera and the pictures of the garden here - this has taken more doing as it is far more time consuming. But I'm so happy to be doing this again.

New Camera

Here's the new toy. Better Half noticed this ad for a considerable reduction in the price of a camera, which was of the same make as our previous one, and the one before that. So, on Thursday 6th September, I hurried to the shop after work and now I'm the happy owner of a brand new beautiful camera. *beams*

Credits:
- photos by me and Better Half
- template by myself (link upcoming)
- Tone textures 3 & 10 by Jerry Jones
- textures Poetic & Luminous by Kim Klassen
- pattern from Pack 87 by Elemis
- gradient Rivendell 14 by ElvenSword
- font Bank Gothic
- font Savoye by Alan Meeks

Below I'm sharing the results of my photo walk in the garden on 11th September.

Animals in the Garden

The dogs were, of course, with me, and I got some nice shots of Renny, Justiina and the Leopard Duck, Misaki and Leia, the sixth creature is our Garden Gargoyle that Better Half found somewhere a couple of years ago. He (the Gargoyle) has been guarding our garden at various spots ever since.

Flowers in the Garden

There were surprisingly many flowers still in bloom, here some of them: in the large picture, the Panicled Hydrangea (Hydrangea paniculata) we planted almost exactly three years ago - this autumn it luckily has had time to blossom. Below it, Narrowleaf Meadowsweet (Spiraea alba) with a visitor. On the right, a New York Aster (Symphyotrichum novi-belgii), Yarrow (Achillea millefolium) and Bistort (Persicaria bistorta).

Resources for both of the above:
- template by myself (link upcoming)
- texture And Then Some by Kim Klassen
- brush from Real Brush Strokes Set by Doodle-lee-doo
- font SF Arch Rival
- gradient by Digital Phenom

Autumn Flowers

Still more, and this time more colourful flowers: the blue Monkshood as well as the blue-and-white one (Aconitum napellus), pansies, Petunia Million Bells, Loosestrife (Lysimachia punctata), Garden Phlox (Phlox paniculata) and a strawberry bud.

Resources:
- template by Margote @ Au coin de l'objectif
- papers from Close to Ground by myself
- texture Happy Heart by Kim Klassen
- font Zirkon
- gradient by Digital Phenom

Autumn Colours

The fading and faded flowers of Marguerite Daisy (Argyranthemum frutescens) and a leaf of Thicket Shadbush (Amelanchier spicata).

Resources:

- template by Esther @ Au coin de l'objectif 

- papers from Close to Ground by myself

- texture Happy Heart by Kim Klassen

- font Zirkon

- gradient by Digital Phenom 

I wonder if it occurred to you that I might be studying the plant names in English, too? ˆ_____ˆ