Painting With Light

On day 58 at Beyond Layers Kim challenged us to watch another video lesson and either try the technique on a photo by her or on our own image, and of course I went for a photo of my own. The topic of the video was how to use light to draw focus on a subject.

With the dogs snoring around me this Saturday morning, I picked up a photo and started to process, following Kim's suggestions. This time I took a photo of Da Man about a month ago. He was sitting and watching by the back porch, with a dried yarrow funnily framing his face. Again, Kim's picture and mine were so different that I didn't create the effect she did for hers, but I do like what I got out of this picture with the recipe.

Dog and Yarrow

Photo taken on 7 September, 2013.

Resources:
- texture Heartfelt by Kim Klassen

Sharing at Texture Tuesday.

Finding Fences

Day 52 challenge at BL was to go and find some fences. The idea was to find some interesting (somehow I think they were meant to be pretty?) fences and photograph them. Well, this made me dig into my archives for something not so much pretty but what actually was precisely what we did last autumn. We went looking for fences.

At the end of October, tired of the little girls always finding their way on the fields and disappearing there to hunt for heaven knows what, we finally decided it had to stop. We had fenced a sizable part of our property back when we moved here in the 1990s, but back then, we had
a) a large dog
b) many dandies
c) unrealistic ideas about the need for space
d) illusions of how much time we'd be able to dedicate to taking care of our yard.

Over the years, we kept repairing the fence here and there, but had already come to realise that we had fenced much more than was either necessary or practical. Parts of the fence stood in the middle of untouched old fields, pushing up fireweed and willow, parts were rotting in the wet ground by the brookside. So we went to the bushes to find the old fence and dig it up and move it so that it could be planted closer to our actual garden.

Not so easily done, the two of us toiled away with it for a good while, but   after a couple of weeks, just before the the ground frost set in, we finished the project. The fence had to be revisited and the posts banged in again in the spring, and we'll have to do the same every spring after the ground frost melts, but there's significantly less fence to take care of now.

Resources used:
- template 27 by myself
- paper Cloudbusting 05 by myself
- font SF Arch Rival by ShyFonts
- font Janda Elegant Handwriting by Kimberly Geswein
- font KG Call Me Maybe by Kimberly Geswein

One Photo in Three Ways

At Beyond Layers, the day 28 challenge was to take a photo and process it in three different ways. For the photo, I took another stroll in the garden. This time, on the 9th October, there were considerably less flowers to photograph than a month ago, but surprisingly many anyway. I rather liked the picture I shot of the Narrow-leaved Meadowsweet (Spiraea alba) with all the raindrops, and so it ended as my subject for this challenge.

Hardly surprisingly, I made a scrapbooking layout of all the versions. The one in the bottom right corner is where I started from. The template is my own, I'll post the link once I get it uploaded, and both the papers are from my set Cold Spell.

Meadowsweet in Three Versions

Here are the resources and recipes. I used a couple of the techniques Kim showed us on her video, but not all of them.

Bottom left:
- Hue/Saturation layer, preset Old Style
- texture Framed by Kim Klassen at Colour Burn 18%, brushed away from blossoms with a layer mask
- texture Fall Returns by Distressed Jewell at Soft Light 46%, brushed away from blossoms with a layer mask
- levels adjustment, preset Midtones Darker, applied to previous layer
- returned a touch of colour to the blossoms by adding a burn layer at Soft Light 38%

Top left:
- action Heartland by Pioneer Woman
- added a tad of colour with a layer mask
- action Boost by Pioneer Woman, applied mostly to the blossoms
- action Soft & Faded by Pioneer Woman at 20%
- texture Abstract by Kim Klassen at Soft Light 25%

Top right:
- action B&W Beauty by Pioneer Woman
- added just a hint of colour with a layer mask
- texture Cool Grunge by Kim Klassen at Soft Light 25%
- texture Frost from Heavenly Vintage Set by Jerry Jones at Soft Light 85%
- texture Baby Blue from Heavenly Vintage Set by Jerry Jones at Colour Burn 25% on the blossoms

Originally I thought it would be rather tough to create three different versions, but actually it wasn't. What's even more surprising, I find that I'm rather pleased with all of the versions, as well as the scrapbooking layout. And yay, with this I can move week 14 of BL into the folder Done!

Texture Tuesday - Something Orange

Autumn's in full swing, I'm busy working and have had little time to spare for the last-in-line hobby of playing with photos. Popped in at Kim's blog on Tuesday for the Texture Tuesday challenge to see if there was anything in there for me, and I had to laugh out loud. Something orange should definitely be easy enough for me, as orange is my favourite colour.

Since most everyone else seemed to tackle the challenge by displaying beautiful flowers and autumnal trees, I decided to take a different approach and have a look at my wardrobe, or actually some accessories. Here's my take on "something orange": my wellies, designed by Ristomatti Ratia, my bright orange raincoat and the shoulder bag I bought in Lübeck last spring. All wonderful to wear on rainy days, by the colour alone they make me feel warm and they also make the day look brighter. What's not to love?

At the Door

What I used here:
- texture Dream It by Kim Klassen
- texture Paper and Paste by Kim Klassen
- mask by Krizomel
- background paper Cold Spell 5 by myself

Autumn Gear

Resources:
- texture To Be by Kim Klassen
- gradient Autumn 12 by ElvenSword
- font Luismi Murder by Juan Casco

And here's my recipe for Autumn Gear:
- cropped image
- duplicated background, applied Gaussian Blur at 11,5 px, created layer mask, brushed out the blur from the gear, changed layer opacity to 35%
- created Hue/Saturation adjustment layer: greens saturation -35, lightness +48
- added Kim Klassen's texture To Be at blending mode soft light 100%
- duplicated texture, turned layer -90°, adjusted blending mode to colour burn 63%, then added black & white adjustment layer (preset neutral density)
- added gradient map adjustment layer Autumn 12 by Elven Sword at blending mode soft light 100%
- brushed in watermark
- wrote text, font Luismi Murder

I fully intend to go on with Beyond Layers, too, as soon as possible. Here's to hoping it'll actually be soon.